I just received my contributor copy of the new sewing book, One Yard Wonders. I’ve been looking forward to getting my hands on it for months! It’s a lovely book, featuring 101 projects that can each be made from under 1yd of fabric – a great way to use up fabric that you may have lying around in your stash!

They’ve done a really nice job with the book – it’s spiral-bound, so it will lie flat at the page you open it to, and it has an envelope in the front containing full-sized pattern pieces for all the projects that need them.

The projects cover the full range from clothing, aprons, and quilts, to bags, pillows and toys. It looks like a great book, and I can’t wait until I have time to look through it properly and find ideas for things I could make with some of my stash fabric!

*******************

Now, not to detract from the book at all (it really is great! you should definitely pick up a copy), but on a personal level, I am very disappointed.

I contributed a pincushion and matching needlebook to the book. I was given the cutest Japanese fabric covered in tiny hedgehogs, squirrels, chickies and mushrooms, and I spent ages making sure the print was centred nicely on my pieces, picking the perfect buttons to accessorize them, and making sure my sample pieces were as close to perfect as possible so they would photograph well (I still have several 99% perfect rejects sitting in my craft room!). These are my samples that I’ve been waiting for months to see in print:

Sorry for the pic quality – these were taken over a year ago (as a personal record for myself before I shipped them off), before I got the hang of my lightbox.

Luckily I thought to snap these quick photos before sending them off, because when I looked for my projects in the book, they had been bundled with this sewing machine cover, and my projects had been remade in the same huge graphic print as the cover, which doesn’t suit their size at all. Plus there is only this one picture in the book, in which my designs are practically invisible:

Can you spot my designs in this picture?

There they are! A tiny part of a busy picture.

It’s okay. I understand why they did it this way – I guess they wanted to use up the entire yard of fabric, and that makes sense. But mine were so cute! And so neat! It’s just sad when you look forward to something and then it turns out to be so very different from what you imagined it would be. I’m still happy the authors chose my projects for the book; I just think they will be overlooked by most readers because they aren’t shown in their best light. Let’s have another look at my version of my projects, as this will be the only time they’ll ever be seen:

Click to see them larger

They are cute, right? Please tell me they are. I need cheering up…

UPDATE May 2012: If you don’t have the book, you can now pick up my Offset Square Wrist Pincushion and matching Fabric and Felt Needlebook sewing patterns as donationware from my shop 🙂

You may remember my Offset Square Wrist Pincushion tutorial from a year ago. I still use my pig pincushion every time I work on a sewing project, and it’s really made a difference to me (no more lost pins to be discovered on the floor or stuck in the sofa weeks later!). But now I have the pins under control, I notice all the more how often I lose a needle. I’ve luckily never found one the painful way (by standing/sitting on it), although I did once find a lost needle embedded in the sole of my shoe! That was a lucky escape for my foot, as I rarely wear shoes in my house; I don’t think I’d be that lucky a second time, so it’s high time I fix this problem…

I still have some of the same pig fabric in my stash, so I designed a little needlebook to match the pincushion. Those little piggies still make me smile!

This needlebook has a ribbon and button closure, and two felt pages inside to accommodate the needles. As well as a variety of sizes of regular sewing needles, I’ve put some self-threading needles in the needlebook. (I first heard about these needles from Kathy and they really come in handy for the most boring part of a sewing project: finishing off all those loose ends of thread. If you machine sew, I do suggest you pick up a packet – they really speed up that process!)

The needlebook is large enough not to get lost but small enough to be convenient, and the needles stay safely inside the book until they are needed. I was thinking of adding a pocket too (for a needle threader and/or mini sewing scissors), but I think I’d prefer to keep it as it is.

I do love these quick easy projects, especially when they cost nothing because I have all the materials already! Plus, having a matched set makes me very happy. Hopefully my new needlebook will be just as useful as the pincushion has proved to be…

One of the biggest frustrations with craft blogging can be to take decent photographs, as photography is so light-dependent. Using the camera flash is too harsh, and using your interior room lighting will give you dimly-lit, orange-tinted photos. The best solution is good natural light (out of direct sunlight, otherwise you will see dark shadows behind your object), but if you’re in the middle of one of those weeks where the sun never shows its face, what can you do?

The professional solution is to use a light tent (aka light box) for product photography. They are available to purchase commercially, but cost hundreds of dollars. If you google ‘light box’ or ‘light tent’ you will find people who have made their own light tents, including Bill Huber’s popular tutorial at PBase, made from PVC plumbing parts and a white bedsheet! In the comments following his tutorial, I noticed that someone had bought an IKEA Antonius laundry bag stand to save them from building their own frame for the light box, and woohoo, the frame is still available and only costs $7!

If you’d like to make your own light tent, the simplest form I have seen only requires a large cardboard box and some fabric, so don’t be put off by the idea of making a frame or finding a convenient IKEA!

Here is my prototype; I just draped the frame with a $1 white plastic tablecloth, and it works! I have attached a clamp lamp to each side of the frame so that the lights shine through the fabric and into the tent. I also used a desk lamp to add additional lighting through the top of the tent.

I was a bit worried that the plastic might melt under the lights, and the draped tablecloth didn’t look very tidy, so I bought some cheap white fabric, sewed 4 panels (two sides, a back and the top), and then sewed them together to form a fitted cover. I purposely left the final seams on the outside to leave a snug fit around the corners of the frame. You can also probably see a little silver blob on the left of this photo – I had some rare earth magnets lying around, so I used a few to keep the front edge of the fabric stretched out nicely over the metal frame:

I used a white bristol board inside the light tent to give a seamless backdrop, but of course I can easily swap in another backdrop to add more colour. And here’s the finished tent:

Now for a photo comparison. Firstly, some piggies in nice natural lighting. This is about as good as it gets under normal conditions. Looks pretty good; there is a little shadow in the middle between the pigs, but the picture is fine, really:

And now for the light box photo:

Huh? There’s not really any difference, you say? That’s the whole point… because I could take the exact same picture in the middle of a thunderstorm, or in the middle of the night! No sunlight required. And that is the beauty of the light tent.

A few notes:

• You can use any directional lamps for a light tent, but make sure you use the same light bulbs in each light source, otherwise your colour balance will change across the photo
• Unless you have very special bulbs (mine are GE Reveal – they are supposed to be natural daylight coloured, but for the purpose of photography they are nowhere near!), you will have to set the white balance on your camera if you have that option, or adjust the colour balance of your photos in your image editing software. But it’s a 1-click fix in most software, so it’s really not a big deal.
• You can easily adjust the amount of lighting coming from each direction by moving each lamp closer to, or further away from, the light tent. I find that using the side lights brightly and the top light a little further away works nicely.

UPDATED 18/11/09: I have since added a fourth light, pointing into the front of the box. It’s not filtered by the tent, so I keep it further away (behind the camera). As zabacorporation mentioned in the comments, my example pig picture would have been better with a light source illuminating them from the direction the camera sees (i.e. the front). The light tent then serves to reduce the shadows caused by that direct light. I’m still tweaking the exact configuration!

Do you ever have the problem of figuring out what to do with things after you make them? Unless a handmade item is a gift or something wearable, I usually don’t know what to do with it, and it ends up buried in a pile of ‘stuff’ or hidden in a box and very rarely gets seen – such a waste!

My craft room really needs some decorative interest; it is still completely unaccessorized apart from my glass toy shelves and some origami in the window. So, I’ve decided that I should try to display some more of the things I’ve made, without making the room look too busy and cluttered. This is going to be a long-term project, and I’ll show you my progress as I come up with ideas.

Click for larger image

My supercute felt sea creatures have been homeless for months, so my first task was to find a way to show them off. I sewed up a quick pennant yesterday using the leftover lining fabric from my laptop sleeve, reinforced with some fusible interfacing on the inside back so it won’t stretch under the weight of the animals. I hung each animal on a simple loop of embroidery floss through the topmost blanket stitch, brought the floss ends through to the back of the pennant, and knotted the ends together. The long tall design means it fits perfectly down the side of my bookcase, so it looks good AND fills a space I hadn’t previously considered as useable.

I think having more of my work visible like this will add a lot more personality to the room. Stay tuned for more craft room progress posts 🙂

I’ve been very busy crafting this week, but most of it isn’t quite ready to show off yet. But I’m feeling proud of myself, because I made a new skirt from scratch in an evening, and without a pattern:

It was really easy – I just traced around an existing skirt, added seam allowance, cut the fabric (I used 100% cotton) on the bias, sewed the sides together, and then sewed a loop of elastic in at the top and hemmed the bottom. The elastic waist gathers the fabric around the top, and you can just pull the skirt on and off.

I decided that I wanted the gathers around the waist to be perfectly even, so I stretched the elastic to the same width as the fabric and then sewed them together. Then I had to stretch it all out again so I could sew down the waistband to hide the elastic. With hindsight, I’ve thought of a much simpler method that will look just about the same and take a fraction of the time.

I’m going to make another skirt with my simpler method – it’s a really cute simple summery skirt and it would work with pretty much any kind of fabric. Would anyone be interested in a tutorial?

While I was in the UK, my sister handed me a piece of fabric (a gift from Jodi) and asked me to make it into something for her. We decided a makeup bag would be a good choice for the cute fabric, and I had the brainwave of adding a layer of clear vinyl over the lining, to protect the lining fabric from getting makeup smudges all over it.

I used splityarn’s zippered wristlet tutorial because it’s worked out for me before, but I skipped the wrist strap and layered a piece of thin clear vinyl over the right side of each lining piece before assembling the bag.

It was… not easy. The vinyl wanted to stick to the base plate of the sewing machine, and kept moving with respect to the lining fabric. It was really tricky to keep all the layers in position to sew the bag together. About halfway through, I realised that sewing the vinyl to each lining piece (around the edges within the seam allowance) before I started would have kept the pieces together – isn’t hindsight great?!

But I struggled on, and eventually finished the panda bag. And now I see that the vinyl lining, because it is clear, doesn’t show up at all on any of my photos! But trust me, it is there, and the panda faces on the inside will be protected 🙂

And then – the very same day – I saw Jessica’s post about iron-on vinyl. It would have been perfect for my project, had I only known it existed a day earlier… So, if you decide to make a clear vinyl-lined bag, I recommend you try the iron-on vinyl, if you can find it, and make your life easier!

Dawn: hope this is what you had in mind! I’ll send it to you soon xx

Although I have my new leather desk chair in my craft room, I stored my old chair in the basement, just in case. I saw a great post (‘save your old chair with a new look’) on IKEA Hacker a few weeks ago, and recognised my boring old Svenning chair given a fantastic makeover. Well, I do have two desks in my craft room, so having two chairs wouldn’t be a bad idea…

I went to the fabric store and managed to find some fabric in the exact colour scheme I used to crochet the throw for my other chair!

Holly’s method involved removing the old fabric from the chair, and then stapling the new fabric over the chair padding. I don’t have a staple gun, and after reading about Holly’s stapling difficulties, I decided to try a different method to attach the new fabric. I removed the backing fabric from the seat, and the plastic backing from the back rest, but left the original fabric stapled to both parts.

I stretched the new fabric over each piece and pinned it roughly in place so the dots pattern would be straight. Using a curved upholstery needle and strong thread, I stitched around the underside of the seat, sewing the new fabric to the old fabric.

I used a combination of running stitch for speed and backstitches for extra security every few stitches and around the corners. No need to be too neat – none of this is visible in the finished chair.

When I’d finished sewing, I trimmed the excess fabric, leaving about an inch beyond my stitches.

I reattached the plastic back to the back, and blanket stitched the original backing fabric to the seat, to hide the raw edges.

And the result? Better then new!

I love it!

This project has been in the works for a long time. I was halfway through it when my old sewing machine gave up on me! I’m happy to report that my new sewing machine tackled it without any difficulties – even when sewing through 8 layers of heavy cotton fabric.

I was given this little bag as a gift, and it’s a useful size, with plenty of pockets. One problem: I really didn’t like that nasty brown fake leather strap.

With no clear plan in mind, I decided to do something about it. I started by cutting off off all the plastic ‘leather’ pieces and deconstructing them:

I chose a blue heavyweight cotton with a large leaf print from my fabric stash, and then I recreated all the missing pieces in this fabric. I reused the metal rings from the original strap, and added some length to the new strap because the old one was too short for my liking. I sewed all the pieces together on the sewing machine, and added the finishing touches by hand.

And the end result:

I debated added an embellishment to the front pocket flap, but I think it’s okay like this – the matching zipper pulls add some continuity between the bag and the handle. At least it’s useable now, and thankfully there’s no pleather in sight 🙂